Atlas review: Netflix’s AI propaganda dulls J.Lo’s shine

Almost every strand of DNA within Atlas’ genetic makeup is toxic. The haphazard, ham-handed sci-fi film, distributed by a streamer that utilizes computer algorithms to guide its creative process, revolves around a guilt-riddled heroine fighting “evil” artificial intelligence with the help of a “good” artificial intelligence. There’s clearly more than one bug in its machine.

The shiny futuristic spectacle and lackluster world-building underwhelms. Outside of the towering silver skyscrapers and turbine-dotted landscapes of downtown Los Angeles 2.0, Barry Chusid’s production design fails to inspire. Cinematographer John Schwartzman, who’s no stranger to making brawling blockbusters like The Rock and Jurassic World look and feel dynamically textured, captures imagery without depth or dimension.

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